The microphone is the first element in the broadcast chain. In our January issue, Trends in Technology looked at this leading element and provided some ideas and tips on making the right selection.

Broadcast engineers get paid to wear many hats. From brushing snow off uplink dishes, to programming automation systems, we find ourselves with plenty of responsibilities. While many tasks are ...

When you purchase through links on our site, we may earn an affiliate commission. Here’s how it works. Lindell Audio has announced a new range of plugins based on its existing hardware products. It ...

PRESCOTT, Ariz., April 16, 2012 /PRNewswire/ — RDL is excited to introduce its first professional, and the industry's finest, Microphone Compressor. The HR-MCP2 is a half-rack dual channel (stereo or ...

Digidesign is now shipping Focusrite’s The Liquid Channel, the company has announced. It’s a 192kHz-compatible 2U rack-mountable hardware device that can accurately emulate every microphone pre-amp ...

Built with UAFX dual‑engine processing and UA’s analog modeling, the new Universal Audio Del‑Verb Ambience Companion, Galaxy ‘74 Tape Echo & Reverb, and Max Dual Preamp & Compressor are here.

This circuit, shown in Figure 1, interfaces an analog MEMS microphone to a microphone preamp. The ADMP504 consists of a MEMS microphone element and an output amplifier. Analog Devices’ MEMS ...